Aug 22

It’s the end of the workday, and my hands hurt from typing. I suspect I’m not alone on this one–thus the proliferation of ergonomic keybords and mice. On Tuesday, Logitech announced its latest contribution to the genre, the Cordless Desktop Wave Pro.

The desktop set also includes the MX1100 laser mouse, which is contoured to fit more comfortably in your hand (read my colleague Rich Brown’s Logitech MX1100 review). The mouse also incorporates Logitech’s handy MicroGear Precision scroll wheel, which has two modes: hyper-fast, to scroll quickly through pages with a single flick of your finger, and the click-to-click scrolling mode common on all computer mice.

Like its predecessor, the Cordless Desktop Wave Pro features both a varied key height to accommodate the different lengths of your fingers and a gently curved layout designed to keep your wrists and arms at a more natural angle. A cushioned palm rest gives your hands a comfortable landing spot between paragraphs.

(Credit:
Logitech)

Both devices use a 2.4GHz wireless connection, and the keyboard includes built-in 128-bit AES keyboard encryption. The set requires three AA batteries (two for the keyboard, one for the mouse).

The Logitech Cordless Desktop Wave Pro will start shipping in September for $129–not bad for an entry-level ergonomic set, but more than the current going rate of the similar Microsoft Natural Ergonomic Desktop 7000.

Aug 22

The chipmaker also announced that it is shipping its triple-core Phenom processors, a first for the PC market, as Brooke Crothers of CNET’s Blogger Network details in a related blog post.

The Sunnyvale, Calif.-based company further announced what it calls “the world’s first energy-efficient desktop quad-core processor, providing customers with a cool and quiet digital media workhorse.” The Phenom X4 9100e operates at a maximum of 65 watts.

As had been expected, AMD on Wednesday announced updates to its Phenom processor line, including four new high-end quad-core chips it claims “can improve performance for gaming and multi-threaded applications,” according to a company release. Among those new chips is the Phenom X4 9850, which CNET has already reviewed.

Aug 21

IBM researchers have reportedly demonstrated technology that will increase hard drive capacity 100-fold, as well as offer major improvements in energy consumption (leading to much longer battery life) and better reliability. Production is estimated in seven to ten years.

In seven years, we'll be measuring hard drive capacity for portable devices in terabytes.

(Credit:
Apple)

The reports summarizing the researchers’ findings, which were published in Science (subscription required), use the shorthand “500,000 songs on a portable MP3 player” to describe the advance.

Today’s
iPod lineup contains no product advertised to hold 5,000 songs, so I’m not sure where the 500,000 figure came from. In fact, the current highest-capacity iPod is 160GB, and is advertised as being able to hold 40,000 songs. So this shorthand would imply a hard drive size of just under 2TB–only 12.5 times bigger than today’s largest iPod.

That’s actually well short of what Kryder’s Law predicts–if hard drive capacity continues to double every year, then the hard drives of 2015 should be 128 times larger than today’s. So the IBM researchers’ claims of up to 100x capacity, while impressive, are not particularly surprising given the trends of the past decade. According to my calculations, 100x would mean the biggest iPod would have a 16,000 GB hard drive, which would be enough to hold more than four million songs at the current advertised compression rates. Or if you assume that Apple’s lossless codec compresses the typical song to about 25MB, it could hold about 650,000 songs–with no loss in audio quality.

Of course, few people would use a portable hard drive of that size solely to store music–movies, games, and applications will probably take up most of that space. Still the idea that we’ll be carrying terabytes of data in our pocket in a few short years explains why Apple, Microsoft, Google, and the rest of the industry are focusing so much attention on mobile computing.

Aug 21

You can fling the wall backwards and forward to see images in the list, zoom in to full-screen versions of files with a double-click, or start a slideshow. It’s a very
Mac-like experience.

There’s no embeddable version of the PicLens view yet. I’d like to see that.

The plug-in, which works in Internet Explorer,
Firefox, Flock, and
Safari (where it’s a bit limited), lets you create a moving wall of images where you’d otherwise just see your Web app’s more static display of pictures. Launching the viewer is just a matter of clicking a new “play” icon that appears on images when you’re on a PicLens-supported site.

Sort of like CoverFlow, and in a very good way.

PicLens, which we’ve covered before, is a browser plug-in that replaces the typical photo viewer you use on sites like Flickr. It’s recently been updated, and if you haven’t checked it out lately, now’s the time. It’s stunning.

You also get a search bar in the viewer, which can scan for tagged images on Google, Yahoo, Flickr, PhotoBucket, SmugMug, and DeviantArt. The plug-in itself recognizes images from more sites, including Facebook, MySpace, Bebo, Picassa Web Albums, and AOL Images.

I use it to keep my kid entertained (a slideshow of helicopters will quiet him right down). It really is a better experience than the standard search, view, and slideshow experience you usually get.

CoolIris, which makes PicLens, is nicely funded by Kleiner-Perkins, and as yet has no system to make money from the service. Expect ads in the system to come once the user base has grown. Until then, you can enjoy this sweet product without commercial interruption.

Aug 20

Dan Hesse, the company’s CEO who took over the top spot at Sprint just before the end of 2007, said the new rate plan is not about matching competitors on price. Instead, he said, it’s about making it simpler for customers to buy and use data services. And he hopes it will help differentiate Sprint from its competitors.

He also went on to say that the company has a long road ahead of it as it tries to put its failing business back on track.

Sprint is facing stiff competition. Last week, Verizon Wireless was the first to announce a $99.99 unlimited voice plan followed by AT&T and T-Mobile. Until Sprint’s plan was announced, T-Mobile seemed to offer the most comprehensive offering–a $99.99 plan that includes voice, unlimited text messaging and picture messaging.

Verizon’s $99.99 plan includes unlimited voice and Internet access, and Web-based email. Customers can tack on additional services for a fee. For example, for $119.99-per-month, Verizon Wireless customers can get unlimited messaging. And for $139.99-per-month, they can get VCast video, VZ Navigator, and Mobile E-mail functions.

Clearly Sprint’s offering offers customers the most bang for the buck. But some analysts have warned that if Sprint significantly undercut or added more services to the bundle for the same price that they could start a price war in wireless.

Sprint Nextel upped the ante in the $99.99 all-you-can-eat rate plan battle Thursday by introducing a service that includes unlimited voice as well as unlimited data and slew of premium services.

” I want to emphasize that this is not a silver bullet,” he said. “This ($99.99 pricing offer) is one of many actions we will take to turn things around for the company.”

“The major objective for us is to reduce churn by improving the customer experience across all touch points,” he said. “That is the No. 1, 2, and 3 things we need to focus on.”

The new pricing plan is available to existing and new customers on both Sprint’s CDMA network as well as its Nextel iDEN network starting on Friday. Current customers will not have to renew or extend their contract to switch to the service.

Called “Simply Everything,” the plan will give customers unlimited voice as well as unlimited data, text, e-mail, Web-surfing, Sprint TV, Sprint Music, GPS Navigation, and push-to-talk service for $99.99 a month. The company made the announcement during its fourth-quarter earnings call, in which the company also announced heavy financial and customer losses.

Indeed, Sprint has been suffering from massive customer defections as dissatisfied customers flee due to poor network performance and unhappiness with customer service. In the fourth quarter of 2007, Sprint lost 683,000 customers. And it expects more losses in 2008. It forecast that it would lose an additional 1.2 million customers who pay monthly bills in the first quarter of 2008. And the losses will continue in the second quarter, Hesse said.

Sprint is also offering discounts for families subscribing to the high-end rate plan. Families will get a discount of $5 per month on every “Simply Everything” service that is added to the same bill for up to five additional lines. This means that two lines would cost $194.98 (or $99.99 plus $94.99). A third line would cost an additional $89.99.

“The new battleground will be around data,” he said during the earnings call on Thursday. “We want to put a flag in the ground that we are about data.”

AT&T’s plan is only for unlimited voice calls. AT&T customers can get additional messaging plans starting at $5 more a month with an unlimited messaging plan costing an additional $35 a month on standard phones.

Aug 19

A very good ruling, and a very good day, for open source. I’m not sure why there should be much confusion in the first place as to whether open-source licenses should be given a place at the licensing table, but this case at least takes us one step closer to making open-source licenses full partners in software developers’ arsenal.

The CAFC reversed the District Court’s decision and its reasoning is very helpful for the open source community. The court found that the limitations in the Artistic License were “conditions” on the scope of the license and, thus, Katzer was liable for copyright infringement (as well as breach of contract). The CAFC noted that the Artistic License imposed its obligations through the use of the words “provided that” which is generally viewed as imposing a condition. Although the reasoning is limited to the Artistic License and the interpretation of each open source license will depend on the wording of its provisions, this decision is a welcome change to the District Court decision. The case has been remanded for the District Court to determine if the other criteria for injunctive relief have been met, but the CAFC’s decision strongly suggests that they have been met.

Yesterday, a US federal court of appeals handed open source a significant victory. An earlier district court ruling in Jacobsen v. Katzer had put open-source licensing on shaky ground by treating the Artistic License as a contract, with some injurious readings on likely remedies under an open-source license.

commentary

As Mark Radcliffe details, the Jacobsen ruling [PDF] is a boon to all open-source licensing, and not merely those that choose to use the Artistic License:

Aug 16


Thermoelectricity
There are some thermoelectric materials that can generate an electrical current when heat is applied and vice versa. This technology isn’t anything revolutionary–thermoelectric modules are what heat and cool car seats today. But what is intriguing is the potential for generating electricity–any form of usable energy, really–from waste heat. Imagine if you could convert all the heat going up the smokestacks of power plants and home furnaces into usable electricity. That would be efficient.

Called Advanced Research Projects Agency-Energy (ARPA-E), the mission is to fund research and development on “transformational energy technologies” to cut the country’s reliance on fossil fuels. The Energy Department’s ARPA-E office will start taking applications next month for research projects, which will be accepted based on their technical feasibility and potential commercial impact.

For biofuels to be a healthy part of the energy mix, the product needs to be produced sustainably and to reduce the greenhouse gas emissions compared to petro-fuels. Determining what’s sustainable requires a complicated lifecycle analysis, but so-called green gasoline has the advantage of fitting into the existing fuels infrastructure. And in theory, a plant-based hydrocarbon can use a replenishable feedstock that takes carbon out of the air as it grows.

Only bold, high-risk ideas need apply, according to the Energy Department, and President Obama has even likened this research to the space race of the 1960s–only it will be harder. “Only truly transformational technologies that can contribute greatly to the ARPA-E’s Mission Areas have any chance of funding. We are not looking for incremental progress on current technologies,” according to the Energy Department’s solicitation document.


Biohydrocarbons
Some researchers have found ways to turn plants into the stuff in our fuel tanks–gasoline, diesel fuel, and jet fuel–without having to wait millions of years, of course. There are different techniques but the end goal of researchers and a few companies, including Virent Energy and Sapphire Energy, is to take biomass, such as sugarcane and algae, and convert it into a fuel that’s chemically equivalent to what’s pumped through our pipelines today.

So where should this money go? While it’s impossible to say what specific programs could land a slice of the ARPA-E funding, there are significant categories that don’t generate many headlines but bear watching beyond more established green technologies:

Clearly, these are just the tip of the iceberg in terms of the technologies needed to better preserve our natural resources. One could easily list 100 more–hydrogen storage, water purification, marine power, enhanced geothermal, making methanol with carbon dioxide, or for a real home-run swing, cold fusion. What’s your moonshot?


Microbial fuel cells
What if you could make electricity by plugging an LED light into the ground? Or take waste water or sewage and turn it into usable energy? There are companies and researchers working on these problems using microbial fuels cells, which use an electrochemical energy conversion to make electricity.

The challenge is similar to cheap solar cells in that the efficiency right now is too low for this technology to be deployed broadly. There are a handful of companies, including GMZ Energy, which is trying to come up with more efficient materials. Auto companies are also trying to outfit
cars with thermoelectric chips so that an exhaust pipe, for example, could generate enough juice to make a more fuel-efficient ride.

There are thousands of people working on this very problem in myriad ways. For a breakthrough, many scientists have said we need solar power to be as cheap as applying a coat of paint. Some are actually trying to do this. New Scientist reports on researchers in the U.K. who are doing this using dye-based solar cells sprinkled into paint.

Making solar power cheap
Using the sun to power our world makes sense because it is a massive and free source of energy. But how do you capture it cheaply?

The key here, as in so many energy-related endeavors, is the material. Right now, solar cells are made from silicon, which is abundant but expensive, or other chemical combinations. But there’s a field of research and development around organic solar cells made from relatively cheap polymers. IBM and Harvard, for example, last year launched a project to pinpoint which are the chemical compounds with the most potential for converting sunlight into electricity.

Battery company executives brush off the importance of lithium supply, but the lithium-ion battery boom has raised awareness of lithium supply, which is mostly found in South America and China. As we see different green technologies develop, minerals and metals other than lithium are likely to see a spike in demand.

One Harvard researcher is pursuing this technology as a way to deliver cheap electricity to developing countries that need off-grid power sources, and the potential market is huge. Others companies, including Emefcy in Israel, see it as a way to treat waste water while generating electricity from a renewable source: waste.


The perfect battery
If there was ever an area that needs a technology breakthrough, it’s energy storage. Better storage would make electric vehicles less expensive and make it easier to use more wind and solar power on the grid. It’s difficult to say if there is a preferred method or chemistry. But what seems vital is to design a storage system around a material that is abundant, environmentally benign, and recyclable.

The U.S Department of Energy on Monday launched a $400 million program to fund development of disruptive energy technologies in a program modeled after the Department of Defense program that spawned space exploration and the Internet.

Aug 16

If you think you felt cool playing Rush on Rock Band before, try pounding out “Tom Sawyer” with The Ant Commandos’ new illuminated drumsticks.

The drumsticks come with two standard AAA batteries, and The Ant Commandos says each battery set will last months under normal playing conditions (we’re not sure how normal is being defined here, though). The sticks, which come two per package, are available at a suggested retail price of $19.99, not including heavy-metal T-shirt.

(Credit:
The Ant Commandos)

The body lights up in red or blue when you strike the sticks on any surface, providing a dramatic light show for the throngs attending the display in your bedroom or basement.

The LED-illuminated drumsticks have a comfortable and secure grip so you won’t cause accidental harm when your drumming reaches a frenzy (you wouldn’t want to take someone’s eye out, now, would you?). A silicon-coated tip helps reduce the thumping noise, a feature your family/friends/roommates are sure to appreciate.

Aug 16

PARK CITY, Utah–Last night I saw U2 live in concert here at the local high school performing arts center…at least it felt that way.

It wasn’t actually a concert. Rather, I was attending a screening for the concert film U2 3D at the Sundance Film Festival. But same diff. It really felt like I was on the concert floor. Better yet, at times I felt like I was one of those waify teenage girls at concerts who gets hoisted onto someone’s shoulders for a bird’s-eye view.

A still from the film, U2 3D

(Credit:
U2 3D)

Despite their early arrival, festival staff members didn’t let Buckmaster and his fellow fans start lining up officially until 7:45 p.m. And first dibs for wait list tickets went to those who had been waiting in line unsuccessfully to see the prior star-studded Robert DeNiro film, What Just Happened. Buckmaster did get into the show, which he said “was really far better than I expected.”

Bono speaks to a star-studded crowd just before the screening of U2 3D at the Sundance Film Festival on Saturday night.

Bono and I even had a moment–during “Sunday Bloody Sunday” he reached out his hand and almost touched me. He had to be singing to me, and not Robert Redford, Google’s founders, or the rest of the Hollywood glitterati in my company. Right?

(Credit:
Michelle Meyers/CNET News.com)

That's me, getting used to my cool glasses before the screening gets under way.

One of the first festival-goers to arrive on the scene in hopes of getting a wait list ticket to the first showing was Nick Buckmaster, a huge U2 fan from Sausalito, Calif., who had been waiting since 10 a.m. He made the trek to the festival to see U2 (he’s seen them perform 60 times) and also because he heard such amazing reviews of the film, which screened at the Cannes Film Festival among other places.

The band’s presence, however, did make the screening extra special. Bono opened the show by touting the importance of Sundance and the special mood that exists despite the “celebrity clusterf***.”

He had worrried a little that the 3D would be gimmicky, as it was, in his opinion in some 1980s-era 3D films like Jaws. “This was more an enhancement of the experience,” he said, adding that he was also happy it featured all the band members, not just Bono.

I don’t use this term lightly, but I really felt like I was witnessing something “revolutionary” in filmmaking. The 90-minute compilation of footage from the band’s Vertigo tour in South America was shot using a new generation of 3D technology provided by Burbank, Calif.-based 3ality, which co-director Catherine Owens said was initially conceived for sports footage. For the Sundance screening, it was projected in Dolby 3D Digital Cinema. (More to come on 3D tech following a related panel discussion later Sunday.)

Ticket scalping at Sundance is very uncool; however, rumor has it that tickets to last night’s show were going for up to $1,000. Kind of crazy for a film that opens in wide release next week both in IMAX and digital cinema.

“There is a lot of love and Irish whiskey in the air,” he told the crowd, adding that if Sundance were in Dublin, it would be called “Raindance.”

What blew me away was the seamlessness and subtlety of the 3D tech, combined with the surround sound. You quickly forgot you were wearing those goofy glasses (in my case, over my own specs). It was hard to tell whether the applause and singing was coming from the film itself, or the Sundance audience members. When Bono asked the crowd to show him the light of their digital devices, the glow of cell phones from the festival audience blended right in with those of the concert audience.

Never, in my five years of covering the festival, have I seen such a hot and hyped ticket. Only two screenings of the film were scheduled, both of them taking place Saturday night. One was at 9:45 p.m. and the other at midnight.

(Credit:
Michelle McPherson, festival-goer from Rippen, Calif.)

Of course, he had to sneak in his comments in between yells of “I love you, Bono.” (I promise, it wasn’t me.)

Owens, in her closing after the Q &: A, emphasized that the fact that she was able to put together U2 3D with no filmmaking background says much about the technology and its power as a new medium.

Aug 16

See you in Austin!

The breakout Web app at SXSWi 2008 was arguably Sched.org, which one of the founders of music blog aggregator The Hype Machine created as a way to let conference-goers organize their agendas. But its event-centric focus meant that it didn’t catch on the way Twitter did in 2007. I’m pretty sure we won’t see another Twitter-like breakout this year, and I think most veteran SXSWi-goers would agree. That was a case of the perfect time and the perfect place, and two years later it’s still the dot-com du jour. You don’t see something like that every year.

Expect a lot of talk about the future of media and entertainment. Newspapers are dying, Twitter’s all over the news as a form of media consumption, and the digital TV and movie wars are raging like 300. You’ll be hearing more from me on this one.

I’m going to go out on a limb and say that I wouldn’t be surprised if the economic recession took a back burner at SXSWi. At a more buttoned-up conference like the Web 2.0 Expo, which is happening later this month in San Francisco, I imagine it’ll be front and center. But SXSWi is full of innovators and dreamers, and the what’s-next focus may mean that many speakers and panelists opt to simply accept the fact that budgets are tight and times are hard, and instead target the future. Whether that comes across as hardy optimism or just out-of-touch, well, we’ll have to see.

That said, we may see some moderate SXSWi stars: Loopt, Brightkite, Whrrl, and FourSquare are all going to be gunning for the top spot in location-based social networking at a conference where finding out where everyone goes after-hours is crucial.

This is part four of a four-part series. Here are part one (the launches), part two (the panels), and part three (the parties).

So there are just a few hours left before I have to head to the airport and hop a flight to Austin for this year’s South by Southwest Interactive Festival, and I wanted to take up just one more blog post to talk about what the week’s big trends are going to be. Remember last year when everyone kept asking, “So what’s this year’s Twitter?” and then it didn’t happen? Yeah. It won’t happen this year, either.

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